As Celestino Soddu noted in his papers on Generative Design, “it is an algorithmic-driven morphogenetic process, for endless unique and un-repeatable results as in nature.” The form finding process is dependent to the parametric and digital morphogenesis enabled by the massive computational capability of modern computers.

The exceedingly purposeful-ness of digital fabrication machines, which are more than capable of materializing computation-generated forms, seems only applicable to use for anything functional due to its wide implications across industries.

Creating an enigmatic form of artwork with the purpose of purposelessness and functionlessness portrays the end result - the object - as an antithesis to the objectives of the ever-so-practical machines.