As Celestino Soddu noted in his papers on Generative Design, “it is an algorithmic driven morphogenetic process, for endless unique and un-repeatable results as in nature.” The form finding process is dependent to the parametric and digital morphogenesis enabled by massive computational capability of modern computers.

The exceedingly purposefulness of digital fabrication machines,that are more than capable of materializing computation generated forms, seem only applicable to use for anything functional due to its wide implications across industries.

Creating an enigmatic form of artwork with the purpose of purposelessness and functionless-ness portrays the end result - the object - as an antithesis for the objectives of the ever-so-functional machines.